art, art appreciation, course creation, Creativity, inspiration, instinctive meditation, journaling, meditation, Personal growth

The Intangible Becomes Tangible….or Not.

Image is a black and white photograph of a light coloured piece of crumpled paper on a black background

Time spent in creative practice doesn’t have to result in something tangible.

Not one word, brushstroke, note, pixel, movement or sound needs to exist.

How did reading that make you feel? Excited? Uncomfortable? An exclamation of wow, or how ridiculous?

Congratulations! You just did something creative! You received an external stimulus, processed it, and put things together that is an expression of all your experience in a way that is unique to you. A definition of creativity.

I teach a creativity and meditation class once a month. One of the cool things about that is that I either come up with a theme and explore it, to see how I might invite others in the creative practice portion of the class, or I mess around with one of the many ways I like to engage with the world, and see what comes up.

Something that arose for me this month is that there doesn’t have to be a tangible result during time spent in creative practice. I think that’s what holds some people back in exploring- the pressure to make something that’s visible to others… or something that has some perceived value. Comparing it to work that’s in a gallery/museum/stage/musical platform/book.

How would it be for you to instead take a walk with a theme, such as “what colour/shape/sound am I most noticing today?” Or sit somewhere and become immersed with the music of life flowing around you? Spend time in your creative space (even if it’s wherever you make a place in the moment) and explore your materials with your senses? Feel the textures of paper, metal, wood, or beads in your hand. The squish of garden dirt between your fingers. The weight of a musical instrument on your lap. Laying on the floor and feeling the subtle energy of breath and blood pulsing through your body. Watch the quality of light and shadow shift with the passing of time. Listen to music and follow the sound of one instrument. Enjoy it in the moment, and set it free.

All of this, to me, is both creative practice and meditation. I won’t have anything to show for it, but it’s tucked away in my mind and heart, and time has revealed that these things appear at some point later, when I’m in the flow of creating something in my outer world. And something I can revisit at any time I choose.

The picture at the beginning of this article was part of my most recent exploration. My theme in November started as light and dark, and expanded to exploring opposites. Earlier in the day I had taken some photos of the interior of a box grater, and had been thinking about light and shadow most of the day.

Image is a black and white photo of the interior of a box grater

I crumpled up part of a brown paper bag and set it on my table. I started to sketch it- white chalk on black paper, and became a little frustrated. Drawing has been problematic for me over the years, for so many reasons (an article in itself!), and I stopped.

Black and white photo of a close up of a crumpled paper bag.

Instead, I gave over to exploring with my senses only. At first crumpling and uncrumpling the paper. I listened to the sounds it made. I followed the folds with my eyes, enjoying the rhythms that appeared. I thought about how I would embody crumpling.. folding and unfolding.. light and dark. I put the paper in different light and noticed how it accentuated different crevices. Smelled that unique brown paper bag smell. When I felt I was done, and only then, I took out my phone and took some pictures. And only because I was inspired to do so. No obligation. No expectation.

Black and white photo of a crumpled paper bag set on its edge on a black background.
Black and white photo of a crumpled paper bag on a black background. The foreground is in focus, softening as the image goes back.

I then went on with my day. I loved the sensation that I’d done something pleasurable for awhile, for myself (even though it was initially in preparation for a class).

It’s important to remember that play and rest are integral parts of both creative practice and meditation. Often after an intense round of output, I can spend weeks of not creating any actual thing, but that doesn’t mean than I’m not engaged in creative practice. Rest is a great tool for creativity.

I invite you to play and not create something tangible at the end. Arrange some twigs in a pleasing manner. Stack stones. Make hand shadows. Allow the silliest sounds you’ve every heard come from you. Dance with the wind. Deeply listen to music. Follow the brushstrokes of a painting in a gallery with your eyes. Don’t document it.. simple play and enjoy some unbounded creativity. Do it for you!

art, art appreciation, creative practice, Creativity, instinctive meditation, journaling, Joy, meditation, Memories, mindfulness, Personal growth, writing

Some Trees are Blue

“Some Trees are Blue” Adele Satori 2025. Image shows a textured painting in vibrant hues of blue, orange, red, green, and yellow.

One recent night my memories woke me up.

“Remember the time you painted the trees blue?”

I surely did! I was about six years old, in first grade. I remember being in school, painting a picture of the most beautiful tree. Not only blue, but with yellow, orange, red, and green.

My teacher, who I remember as mostly kind, looked at the picture and told me trees are brown, or black- not these bright colours.

I was heartbroken, and I knew she was wrong. You see, one of the things my family did growing up was to do things like to to museums. I remember seeing the paintings of Paul Gauguin, and being so excited! Here, in a museum, where people came to look at pictures people made, were paintings of trees and plants the way **I** saw them! Bright colours, and vibrating. Here was a grown-up who also saw the songs of trees, and he painted them to show the world.

I may have tried to tell the teacher that. I can’t quite remember; it was a long time ago. I just remember being sad and confused. Didn’t everyone see the songs of trees? How they sometimes shimmer the way pavement does on a hot summer day?

I think most kids have this ability to see multiple realities– until it’s taught out of us. Those of us who somehow keep the magic become the artists, poets, explorers, inventors, often getting “lost” in our beautiful inner worlds. Some of us are seen as mad (I always wondered about that description.).. I suppose the adult version of having a note pinned on our sweaters.

As I lay there in bed, other childhood memories came. That same year, we had a class where the visiting Phys. Ed. teacher put on music and told us to pretend we were a train. We got into a milk-and-cookie infused samba line and chugga chugga’d to the music.

Except me.

Oh no! In my mind I became a train! CHUGGA CHUGGA!!!! WOOO WOOO!!! WOOO WOOO!!! I pumped my arms, shook my head, and in my imagination saw the “more powerful from a locomotive” from the opening sequence of “The Adventures of Super Man” (Starring Georrrrrrge Reeeeves!!!).

Everything, and everyone stopped.

I got taken out of class, and sent home with a note pinned to my sweater about how I couldn’t control myself. It wouldn’t be the last time! So many kidhood memories of experiencing things like this, and “weren’t real”, but those are stories for another time.

My thoughts turned back to trees. Part of me wanted to jump up then and there and paint, but my logical brain started to wake up…. I only have black canvas board… I don’t know where my palette knives are (because this urge was too primal for brushes)… and wandered through the technical aspects of how adult me would paint those trees.

I ended up later that morning going to sit near trees, and soaking in all their textures and colours. I came home, found my knives, and sat down to paint. I went quickly, and intuitively. Sometimes my eyes were nearly closed. I followed the memories of texture, light, sound, and movement. Not thinking if I was doing it right (I’m not a painter, primarily.. I just have the tools around). Not thinking of how others would perceive it. Not worrying if I was wasting materials (another childhood lesson). Simply enjoying the process of painting a tree in all its hidden colours.

And I’m here to tell you… that experience healed something in me. That’s the beauty of creative practice. Creating to create and explore, without expectation of outcome, or demands for others, opens the way to our inner worlds. You don’t have to show it to anyone else, or even keep it.

My invitation to you now, is to remember something you used to do, or like to do and haven’t made the time to do, but especially something you liked to do as a child. Sing silly songs as you go through your day. Make little cabins for ants out of twigs. Finger paint (paint with water on the sidewalk if you don’t have paint!). Twirl in circles. Lay on the grass and watch the cloud beings chase each other. Use what you have on hand. Play and create for the pure pleasure of it.

I’m going to go smile at the most beautiful blue tree I painted.

art, art appreciation, creative practice, Creativity, drawing, health and wellness, inspiration, instinctive meditation, meditation, mindfulness, Personal Development

Health Benefits of Engaging With Art

Image shows drawing of a lotus pod in white chalk on black paper. This is a doodle of mine from a recent creativity and meditation session.

“Research shows that art experiences, whether as a maker or a beholder, transform our biology by rewiring our brains and triggering the release of neurochemicals, hormones and endorphins.”

https://lnkd.in/gVNrMRuR

There is so much in this article that I find parallels our experiences in instinctive meditation, especially the invitation to engage with awe and wonder on a regular basis. This is part of what excites me so much- the discoveries I continually make that deepen both my creative and meditation practices.

I especially like the thought of slowing down in a museum- to truly experience the art in front of you.

Whether you go to a museum, gallery, walk and look at architecture, listen to music, go to a concert, doodle in a notebook… it all counts!

instinctive meditation, journaling, perception

Experience and the Power of Observation

William Woodward’s “Biloxi Art Pottery,” 1890s. Oil painting. Collection of the Biloxi Public Library.
Image is a painting of a bearded man wearing a hat, with his sleeves rolled up and making a pot on a potter’s wheel. In the background are windows, and another man in the back of the studio working.

The open door caught my attention first as I walked by. With curiosity, I slowed down, and then to a stop. Sunlight streamed in and highlighted the kiln, which gave off a sense of heat. Stacks of pottery in organized chaos were laid out on a board nearby. In the back of the studio, behind a counter was a person working on a pot, The way their work light illuminated them, and the way they were wearing their knitted hat, took the whole scene out of time, if it weren’t for the modern kiln. I had come across a living chiaroscuro painting. It felt like magic.

The artist sensed me, and a hesitation came across their face. I moved on, glad I hadn’t followed my reflex to take out my phone and take a picture. Back before there were cameras in portable phones, I rarely took pictures. For me, it felt like I could either have the experience, or be an observers and document what was going on, but not feel like part of what was going on.

A few moments later, and down the road, a silver flash revealed someone sitting on their porch, playing the banjo. The person’s face had an expression of relaxed absorption in the moment. I walked down the sidewalk a ways, took out my phone, pointed it to the sidewalk and away from the person to record the sound, and they stopped playing. Right away I hoped they were simply pausing and that I hadn’t interrupted them, even with the distance. Porches are made for sitting on and playing music.

Sitting here now, I’m amazed how much detail my mind caught of the potter’s studio. The lighting, the colour palette, the whole energy of the scene. I credit it in part to the ease of my meditative practice. I find more and more how quickly I can enter a state of relaxed awareness and more fully experience where I am, or what I am doing. Or being. I’m so grateful to have found a way to more deeply connect my inner and outer worlds in a way that doesn’t require anything of me other that being open to follow where the essence of life leads.
The open door caught my attention first as I walked by. With human curiosity I slowed down, and then to a stop. Sunlight streamed in and highlighted the kiln, which gave off a sense of heat. Stacks of pottery in organized chaos were laid out on a board nearby. In the back of the studio, behind a counter was a person working on a pot, The way their work light illuminated them, and the way they were wearing their knitted hat, took the whole scene out of time, if it weren’t for the modern kiln. I had come across a living chiaroscuro painting.

The artist sensed me, and a hesitation came across their face. I moved on, glad I hadn’t followed my reflex to take out my phone and take a picture.

A few moments later, and down the road, a silver flash revealed someone sitting on their porch, playing the banjo. The person’s face had an expression of relaxed absorption in the moment. I walked down the sidewalk a ways, took out my phone, pointed it to the sidewalk and away from the person to record the sound, and they stopped playing. Right away I hoped they were simply pausing and that I hadn’t interrupted them, even with the distance. Porches are made for sitting on and playing music.

Sitting here now, I’m amazed how much detail my mind caught of the potter’s studio. The lighting, the colour palette, the whole energy of the scene. I credit it in part to the ease of my meditative practice. I find more and more how quickly I can enter a state of relaxed awareness and more fully experience where I am, or what I am doing. Or being. I’m so grateful to have found a way to more deeply connect my inner and outer worlds in a way that doesn’t require anything of me other that being open to follow where the essence of life leads.

And how now I have an intriguing potter’s studio I can visit at any time in my mind. I have found a way to both experience and document the world around me in a way that has opened me up to all sorts of possibilities and adventures.